Category: politics
SOME THING for the Boys
Posted by Lil Miss Hot Mess on January 20, 2010
- Categories: performances| photos| politics| videos
- 2 Comments
Photos and video from my number at SOME THING last Friday!
Eternal gratitude to Ed and Ryan for being adorable gay sailors (and kind of last minute too). Everlasting thanks to Des, Jae, and Philip for lending their nautical wear. And appreciations forever to Jerry Lee for taking video (as well as to Maura for taking the video Ryan posted on Facebook, which I don’t know how to embed – but it’s basically the same)!
SOME THING was so fun and I’m so excited to have a new weekly AND weekend show to look forward to.
Here’s video:
More photos are after the jump.
Stupak, single-issue segmentation, or solidarity
Posted by Lil Miss Hot Mess on December 3, 2009
- Categories: politics
- 3 Comments
As usual, I’m frustrated. I’m frustrated by the state of politics and equally frustrated by the state of activism. I just read two articles on the Stupak amendment and the state of the feminist movement, and they both have me a little irked. They’re both worth reading, but raise frustrating questions about the current state of affairs.
The first was a pretty decent piece by Barbara Ehrenreich, published at Salon: “Slap on a pink ribbon, call it a day.” In it, she looks at the culture around the pink-ribbon Breast Cancer “Awareness” movement, specifically how it seems to forgo science in favor of the medical industry, and how it dilutes a potentially broader movement for women’s health, including affordable healthcare and access to abortion. She writes: “When the House of Representatives passed the Stupak amendment, which would take abortion rights away even from women who have private insurance, the female response ranged from muted to inaudible.”
And here’s a passage I find particularly compelling:
It’s not just that abortion is deemed a morally trickier issue than mammography. To some extent, pink-ribbon culture has replaced feminism as a focus of female identity and solidarity. When a corporation wants to signal that it’s “woman friendly,” what does it do? It stamps a pink ribbon on its widget and proclaims that some miniscule portion of the profits will go to breast cancer research…
While we used to march in protest against sexist laws and practices, now we race or walk “for the cure.” And while we once sought full “consciousness” of all that oppresses us, now we’re content to achieve “awareness…”
An on-point and concise, if not earth-shattering, analysis. Her own experience with cancer, though, definitely lends depth. And her suggestion that this new movement may actually support the medical industry — possibly even to the detriment of women’s health — is heartbreaking.
This was about people dying
Posted by Lil Miss Hot Mess on November 11, 2009
- Categories: politics| wow!
- No Comments
I’m still feeling a bit in the middle of the conversation around Charlie Horse, the Polk, gentrification, queers, and all that other good stuff, but I also want to change gears a bit.
YBCA is having their next Big Idea Night party this Saturday. Sadly, I’ll be out of town for it, but I caught the very tail end of the last one and it was fun. I wholeheartedly encourage attendance and I totally applaud a more mainstream art institution for really successfully engaging the community with an explicitly queer night, and one that seems to really aim towards a more politicized and un-essentialized idea of queerness at that. (Oh, and of course, I love just about anything that Danyol does.)
That said, I’m a bit taken aback by their interactive ad campaign that lets users reconfigure ACT UP’s classic Silence = Death logo with their own images and sayings. Here’s what the site says:
Gran Fury Collective’s “SILENCE=DEATH” image became the icon of AIDS and radical queer activism in the late-1980s. YBCA invites you to personalize and update this groundbreaking campaign by putting your own spin on it: How would you tailor the design to reflect your activism? Come to YBCA’s Big Idea Night pARTy on Sat, Nov 14 to make your own design into a button. And enter to win the Go Pink Yourself design contest for fabulous prizes! [Click the links -- they're YBCA's, not mine.]
Maybe I’m too much of a political purist, but this rubs me the wrong way a bit. ACT UP was one of the gay community’s most successful moments of radicalism (“successful” in at least a few different ways), and played a critical role in expanding access to AIDS-related medications through direct action targeting pharmaceutical corporations, politicians, and the media. It also supported people living with AIDS through direct action, sometimes through Robin Hood-esque tactics of taking from the rich to give to the poor. Seriously, it’s the shit that Rent tried to emulate but couldn’t come close to. (But that’s another story, which I highly suggest you read.) While I am too young to have really experienced the AIDS crisis in full force, I deeply admire the legacy of ACT UP (though, I’m sure it had its issues too).
In my mind, Gran Fury is also one of the most successful leftist propaganda operations, and added immensely to the movement by providing an array of graphics that are simultaneously devastating, playful, sexy, avant garde, highly referential, and politically savvy. It’s a queer aesthetic that predates the ascendence of the accolade “FIERCE!,” but honey, it defined it. Together, Gran Fury and ACT UP proved the importance of visual work in political movements, and understood the necessity of both creatively capturing the attention of traditional media and creating one’s own. It’s an aesthetic and process I strive for in my own work.
“Silence = Death” is perhaps their greatest known work, but I encourage folks to check out the small gallery posted at the Queer Cultural Center’s website to see more. The phrase reflected many aspects of the crisis, but it was also desperately literal: people were dying due to the silence of Reagan and other politicians, due to a culture that stigmatized gays and disease, and due to a healthcare system that supported profits over saving lives. It was both a call to the community to come out and fight, and also a calling-out of the Powers That Be for allowing marginalized people to die. Another common slogan used by members of ACT UP was “This is about people dying!” Both remind me of something that Omar Barghouti, a Palestinian leader of the movement for Boycott, Divestment, and Sanctions (BDS) against Israel said at a talk last week: “BDS is a strategy to win. We’re not in it to make a point.” In both cases, we’re talking about disasters with real consequences today, tomorrow, and until it stops. We’re talking about emergencies and halting business as usual.
Which is why I just feel irked by YBCA’s campaign. I’m happy to see the image continue to circulate, but it saddens me to see it pulled from a truly political context and replaced with ironic sayings and people’s Facebook photos. And as much as I’m happy to see a celebration of diverse queer culture and activism, that celebration itself is indicative of the fact that we’re in a much different political moment. Today’s silences, at least when it comes to the gays (and especially those in San Francisco), are not nearly as life-threatening. I’m not sure I’d blame YBCA — they do, indeed, suggest using it to speak to current political activism — but the strength of the graphic, to me, lies in its specificity and even seeing some that reference things like healthcare still make me wince. I think it’s too much, too soon, or maybe just in bad taste.
Plus, let’s be real: we’re still in the middle of the AIDS crisis — it’s just (somewhat) shifted demographics.
Anyway, enough about me: What do you think? I’m posting some more examples of the reinterpreted graphics after the jump.
yuppies and developers: you get what you pay for
Posted by Lil Miss Hot Mess on November 10, 2009
- Categories: politics
- 18 Comments
I’m livid.
Today Anna Conda announced that Charlie Horse is over, effectively immediately. I can’t get all the facts straight but it has to do with the gentrification of the Polk — hell, the gentrification of the whole city — specifically yuppies who want to have their cake and eat it too, and developers who want to sell it to them. Anna thinks that it’s a combination of people complaining about noisy queens and the Polk St. Merchants Association wanting to get rid of the gay bars. The Gangway (nearby on Larkin) already shut down all DJed parties months ago due to complaints. It’s ridiculous!
Like I said, I don’t know the full story, so I don’t want to start the blame game or get too much into the specifics of it.
But hello, San Francisco: this is what you get when you invite your city to become a dot-com yuppie playground. This is exactly how neighborhoods gentrify. It’s easy to point fingers at artists and gays as gentrifiers — and not to say that we aren’t part of the system — but the bigger picture is about government colluding with the wealthy using tactics like selective law enforcement and policies that favor development.
It’s interesting and upsetting to see a group of mostly younger gays who are more politically- and artistically-inclined (for what it’s worth) being pushed out of a neighborhood so that Marina girls and their Financial District boyfriends can come in to party. Who’s next? We’ve already seen so many immigrants be forced out. Maybe many of us were the first wave of gentrification in this neighborhood — after all, the Polk is historically queer, but really owned by hustlers and street girls — and that’s why it’s got to be more about our right to party. It’s about everyone’s right to the city. It’s about preserving a city that’s known for being one of the weirdest, sanest, and most beautiful places on earth (even right now it feels pretty disgusting).
I keep thinking about the Castro’s role in all of this. I’m saddened and outraged to think that by having “our” neighborhood — just like “we” want so many “rights” — we’re really pulling any sense of queer solidarity apart. We’ve legitimized a space that is itself exclusive and unaffordable (to say the least) while at the same time legitimizing the takeover of the rest of the city. It’s similar to critiques of marriage: we’re selling each other and everyone out by trying to get our tiny slice of the pie.
I’ve been doing drag for less than two years, and I’m not even enough of a regular at Charlie Horse to feel real in calling it my family, but right now I feel devastated. It was truly a unique space, not without its own issues, but with a sense of relaxed and full-of-potential gay-boy community that is so hard to find these days. It’s the only place I can say I’ve “regularly” performed and it’s really filled the city with The Place to do and see drag in the city post-Trannyshack (and in its own right as well). Anna did a phenomenal job of building an environment where just about anyone could get up on stage or chat with someone on the patio and actually enjoy themselves, and she deserves so much credit and love for that.
It’s a shame to see it get sold out to yuppies and businesses looking for the next big thing. I keep thinking of the saying “you get what you pay for” and how it works both ways: when only the wealthy can pay to live here, there’s not going to be anyone left to make it work (or work it).
Halloween: Drag, War, and Bee Arthur
Posted by Lil Miss Hot Mess on November 2, 2009
- Categories: gay| performances| politics
- 5 Comments
First off, the Make Drag, Not War benefit for IVAW and DAM was great! Such good energy, good politics, and interesting people! Despite a couple of minor technical and choreographed mishaps, Sweetcheeks and I brought the house down. It’s really rewarding to perform political work and feel like people get it. (Though I also worry about preaching to the choir… but we’ll save that for later.)
And of course, the other performers! All the usuals were phenomenal: Raya, Suppositori, Rahni, Garza and Farrokh (whose number really was delightful, especially the twist at the end). And then there were the vets who really pulled it out. Oh, and Artist. Dear, Artist.
Here’s video of our number — I think someone else took video with a more profesh camera, so I’ll post that if/when I see it:
And some backstage photos (I insisted on some cheesy poses):
(the last one is with some CODEPINK friends I met a couple weeks ago. photo courtesy of Infinity.)
Oh, and I need to share a little Halloween miracle that also proves a point: The Israeli flag you see in the video I found at Thrift Town on Friday afternoon for $3.99. I was really trying to find a little black and white number to match the one I already had, but was having no luck. I wanted American and Israeli flags, but I was resigned to making them since I didn’t expect to find an Israeli flag in a day. Then, on a whim, I looked at the area where there are flags and fabrics. Lo and behold. The moral of the story? At Thrift Town, if you’re really desperate, it will deliver exactly what you need. I don’t normally endorse brands like this, but I’m serious. I one time needed a tambourine. I was in the shoe section and dropped something, and when I bent down to pick it up, there was a tambourine under the shoe rack. I kid you not. The other moral? If there is a God, she’s anti-zionist and wants me to have the props I need.
Anyway…
Later that night, I ditched my imperialist drag for my real costume: Bee Arthur! (Get it? Some people got it right away. Some people never got it. Two people thought I was Mrs. Doubtfire in a bee costume.) Ed and Ryan and Julie and Ellie and Jesse had a phenomenal party, though mama drank a little more of her $4 wine than she should’ve. Oops. I did, however, walk all the way from the Castro to 18th & Portrero in my new Zara heels (fine, a low heel).
And there are some pictures to prove it, after the jump:
Continue reading this post »
SOME THING for the Boys
Posted by Lil Miss Hot Mess on January 20, 2010
- Categories: performances| photos| politics| videos
- 2 Comments
Photos and video from my number at SOME THING last Friday!
Eternal gratitude to Ed and Ryan for being adorable gay sailors (and kind of last minute too). Everlasting thanks to Des, Jae, and Philip for lending their nautical wear. And appreciations forever to Jerry Lee for taking video (as well as to Maura for taking the video Ryan posted on Facebook, which I don’t know how to embed – but it’s basically the same)!
SOME THING was so fun and I’m so excited to have a new weekly AND weekend show to look forward to.
Here’s video:
More photos are after the jump.
Stupak, single-issue segmentation, or solidarity
Posted by Lil Miss Hot Mess on December 3, 2009
- Categories: politics
- 3 Comments
As usual, I’m frustrated. I’m frustrated by the state of politics and equally frustrated by the state of activism. I just read two articles on the Stupak amendment and the state of the feminist movement, and they both have me a little irked. They’re both worth reading, but raise frustrating questions about the current state of affairs.
The first was a pretty decent piece by Barbara Ehrenreich, published at Salon: “Slap on a pink ribbon, call it a day.” In it, she looks at the culture around the pink-ribbon Breast Cancer “Awareness” movement, specifically how it seems to forgo science in favor of the medical industry, and how it dilutes a potentially broader movement for women’s health, including affordable healthcare and access to abortion. She writes: “When the House of Representatives passed the Stupak amendment, which would take abortion rights away even from women who have private insurance, the female response ranged from muted to inaudible.”
And here’s a passage I find particularly compelling:
It’s not just that abortion is deemed a morally trickier issue than mammography. To some extent, pink-ribbon culture has replaced feminism as a focus of female identity and solidarity. When a corporation wants to signal that it’s “woman friendly,” what does it do? It stamps a pink ribbon on its widget and proclaims that some miniscule portion of the profits will go to breast cancer research…
While we used to march in protest against sexist laws and practices, now we race or walk “for the cure.” And while we once sought full “consciousness” of all that oppresses us, now we’re content to achieve “awareness…”
An on-point and concise, if not earth-shattering, analysis. Her own experience with cancer, though, definitely lends depth. And her suggestion that this new movement may actually support the medical industry — possibly even to the detriment of women’s health — is heartbreaking.
This was about people dying
Posted by Lil Miss Hot Mess on November 11, 2009
- Categories: politics| wow!
- No Comments
I’m still feeling a bit in the middle of the conversation around Charlie Horse, the Polk, gentrification, queers, and all that other good stuff, but I also want to change gears a bit.
YBCA is having their next Big Idea Night party this Saturday. Sadly, I’ll be out of town for it, but I caught the very tail end of the last one and it was fun. I wholeheartedly encourage attendance and I totally applaud a more mainstream art institution for really successfully engaging the community with an explicitly queer night, and one that seems to really aim towards a more politicized and un-essentialized idea of queerness at that. (Oh, and of course, I love just about anything that Danyol does.)
That said, I’m a bit taken aback by their interactive ad campaign that lets users reconfigure ACT UP’s classic Silence = Death logo with their own images and sayings. Here’s what the site says:
Gran Fury Collective’s “SILENCE=DEATH” image became the icon of AIDS and radical queer activism in the late-1980s. YBCA invites you to personalize and update this groundbreaking campaign by putting your own spin on it: How would you tailor the design to reflect your activism? Come to YBCA’s Big Idea Night pARTy on Sat, Nov 14 to make your own design into a button. And enter to win the Go Pink Yourself design contest for fabulous prizes! [Click the links -- they're YBCA's, not mine.]
Maybe I’m too much of a political purist, but this rubs me the wrong way a bit. ACT UP was one of the gay community’s most successful moments of radicalism (“successful” in at least a few different ways), and played a critical role in expanding access to AIDS-related medications through direct action targeting pharmaceutical corporations, politicians, and the media. It also supported people living with AIDS through direct action, sometimes through Robin Hood-esque tactics of taking from the rich to give to the poor. Seriously, it’s the shit that Rent tried to emulate but couldn’t come close to. (But that’s another story, which I highly suggest you read.) While I am too young to have really experienced the AIDS crisis in full force, I deeply admire the legacy of ACT UP (though, I’m sure it had its issues too).
In my mind, Gran Fury is also one of the most successful leftist propaganda operations, and added immensely to the movement by providing an array of graphics that are simultaneously devastating, playful, sexy, avant garde, highly referential, and politically savvy. It’s a queer aesthetic that predates the ascendence of the accolade “FIERCE!,” but honey, it defined it. Together, Gran Fury and ACT UP proved the importance of visual work in political movements, and understood the necessity of both creatively capturing the attention of traditional media and creating one’s own. It’s an aesthetic and process I strive for in my own work.
“Silence = Death” is perhaps their greatest known work, but I encourage folks to check out the small gallery posted at the Queer Cultural Center’s website to see more. The phrase reflected many aspects of the crisis, but it was also desperately literal: people were dying due to the silence of Reagan and other politicians, due to a culture that stigmatized gays and disease, and due to a healthcare system that supported profits over saving lives. It was both a call to the community to come out and fight, and also a calling-out of the Powers That Be for allowing marginalized people to die. Another common slogan used by members of ACT UP was “This is about people dying!” Both remind me of something that Omar Barghouti, a Palestinian leader of the movement for Boycott, Divestment, and Sanctions (BDS) against Israel said at a talk last week: “BDS is a strategy to win. We’re not in it to make a point.” In both cases, we’re talking about disasters with real consequences today, tomorrow, and until it stops. We’re talking about emergencies and halting business as usual.
Which is why I just feel irked by YBCA’s campaign. I’m happy to see the image continue to circulate, but it saddens me to see it pulled from a truly political context and replaced with ironic sayings and people’s Facebook photos. And as much as I’m happy to see a celebration of diverse queer culture and activism, that celebration itself is indicative of the fact that we’re in a much different political moment. Today’s silences, at least when it comes to the gays (and especially those in San Francisco), are not nearly as life-threatening. I’m not sure I’d blame YBCA — they do, indeed, suggest using it to speak to current political activism — but the strength of the graphic, to me, lies in its specificity and even seeing some that reference things like healthcare still make me wince. I think it’s too much, too soon, or maybe just in bad taste.
Plus, let’s be real: we’re still in the middle of the AIDS crisis — it’s just (somewhat) shifted demographics.
Anyway, enough about me: What do you think? I’m posting some more examples of the reinterpreted graphics after the jump.
yuppies and developers: you get what you pay for
Posted by Lil Miss Hot Mess on November 10, 2009
- Categories: politics
- 18 Comments
I’m livid.
Today Anna Conda announced that Charlie Horse is over, effectively immediately. I can’t get all the facts straight but it has to do with the gentrification of the Polk — hell, the gentrification of the whole city — specifically yuppies who want to have their cake and eat it too, and developers who want to sell it to them. Anna thinks that it’s a combination of people complaining about noisy queens and the Polk St. Merchants Association wanting to get rid of the gay bars. The Gangway (nearby on Larkin) already shut down all DJed parties months ago due to complaints. It’s ridiculous!
Like I said, I don’t know the full story, so I don’t want to start the blame game or get too much into the specifics of it.
But hello, San Francisco: this is what you get when you invite your city to become a dot-com yuppie playground. This is exactly how neighborhoods gentrify. It’s easy to point fingers at artists and gays as gentrifiers — and not to say that we aren’t part of the system — but the bigger picture is about government colluding with the wealthy using tactics like selective law enforcement and policies that favor development.
It’s interesting and upsetting to see a group of mostly younger gays who are more politically- and artistically-inclined (for what it’s worth) being pushed out of a neighborhood so that Marina girls and their Financial District boyfriends can come in to party. Who’s next? We’ve already seen so many immigrants be forced out. Maybe many of us were the first wave of gentrification in this neighborhood — after all, the Polk is historically queer, but really owned by hustlers and street girls — and that’s why it’s got to be more about our right to party. It’s about everyone’s right to the city. It’s about preserving a city that’s known for being one of the weirdest, sanest, and most beautiful places on earth (even right now it feels pretty disgusting).
I keep thinking about the Castro’s role in all of this. I’m saddened and outraged to think that by having “our” neighborhood — just like “we” want so many “rights” — we’re really pulling any sense of queer solidarity apart. We’ve legitimized a space that is itself exclusive and unaffordable (to say the least) while at the same time legitimizing the takeover of the rest of the city. It’s similar to critiques of marriage: we’re selling each other and everyone out by trying to get our tiny slice of the pie.
I’ve been doing drag for less than two years, and I’m not even enough of a regular at Charlie Horse to feel real in calling it my family, but right now I feel devastated. It was truly a unique space, not without its own issues, but with a sense of relaxed and full-of-potential gay-boy community that is so hard to find these days. It’s the only place I can say I’ve “regularly” performed and it’s really filled the city with The Place to do and see drag in the city post-Trannyshack (and in its own right as well). Anna did a phenomenal job of building an environment where just about anyone could get up on stage or chat with someone on the patio and actually enjoy themselves, and she deserves so much credit and love for that.
It’s a shame to see it get sold out to yuppies and businesses looking for the next big thing. I keep thinking of the saying “you get what you pay for” and how it works both ways: when only the wealthy can pay to live here, there’s not going to be anyone left to make it work (or work it).
Halloween: Drag, War, and Bee Arthur
Posted by Lil Miss Hot Mess on November 2, 2009
- Categories: gay| performances| politics
- 5 Comments
First off, the Make Drag, Not War benefit for IVAW and DAM was great! Such good energy, good politics, and interesting people! Despite a couple of minor technical and choreographed mishaps, Sweetcheeks and I brought the house down. It’s really rewarding to perform political work and feel like people get it. (Though I also worry about preaching to the choir… but we’ll save that for later.)
And of course, the other performers! All the usuals were phenomenal: Raya, Suppositori, Rahni, Garza and Farrokh (whose number really was delightful, especially the twist at the end). And then there were the vets who really pulled it out. Oh, and Artist. Dear, Artist.
Here’s video of our number — I think someone else took video with a more profesh camera, so I’ll post that if/when I see it:
And some backstage photos (I insisted on some cheesy poses):
(the last one is with some CODEPINK friends I met a couple weeks ago. photo courtesy of Infinity.)
Oh, and I need to share a little Halloween miracle that also proves a point: The Israeli flag you see in the video I found at Thrift Town on Friday afternoon for $3.99. I was really trying to find a little black and white number to match the one I already had, but was having no luck. I wanted American and Israeli flags, but I was resigned to making them since I didn’t expect to find an Israeli flag in a day. Then, on a whim, I looked at the area where there are flags and fabrics. Lo and behold. The moral of the story? At Thrift Town, if you’re really desperate, it will deliver exactly what you need. I don’t normally endorse brands like this, but I’m serious. I one time needed a tambourine. I was in the shoe section and dropped something, and when I bent down to pick it up, there was a tambourine under the shoe rack. I kid you not. The other moral? If there is a God, she’s anti-zionist and wants me to have the props I need.
Anyway…
Later that night, I ditched my imperialist drag for my real costume: Bee Arthur! (Get it? Some people got it right away. Some people never got it. Two people thought I was Mrs. Doubtfire in a bee costume.) Ed and Ryan and Julie and Ellie and Jesse had a phenomenal party, though mama drank a little more of her $4 wine than she should’ve. Oops. I did, however, walk all the way from the Castro to 18th & Portrero in my new Zara heels (fine, a low heel).
And there are some pictures to prove it, after the jump:
Continue reading this post »
Honey, if you don't trust me,
then I don't trust your taste.
Be My Friend!
